The Swallow's Tail
| The Swallow's Tail — Series on Catastrophes | |
|---|---|
 | |
| Artist | Salvador Dalí |
| Year | 1983 |
| Medium | Oil on canvas |
| Dimensions | 73 cm × 92.2 cm (28.7 in × 36.3 in) |
| Location | Dalí Theatre and Museum, Figueres |
The Swallow's Tail — Series of Catastrophes (French: La queue d'aronde — Série des catastrophes) was Salvador Dalí's last painting. It was completed in May 1983, as the final part of a series based on the mathematical catastrophe theory of René Thom.
History and description
[edit]Thom suggested that in four-dimensional phenomena, there are seven possible equilibrium surfaces, and therefore seven possible discontinuities, or "elementary catastrophes": fold, cusp, swallowtail, butterfly, hyperbolic umbilic, elliptic umbilic, and parabolic umbilic.[1] "The shape of Dalí's Swallow's Tail is taken directly from Thom's four-dimensional graph of the same title, combined with a second catastrophe graph, the s-curve that Thom dubbed, 'the cusp'. Thom's model is presented alongside the elegant curves of a cello and the instrument's f-holes, which, especially as they lack the small pointed side-cuts of a traditional f-hole, equally connote the mathematical symbol for an integral in calculus: ∫."[2][excessive quote]
In his 1979 speech, Gala, Velázquez and the Golden Fleece, presented upon his 1979 induction into the prestigious Académie des Beaux-Arts of the Institut de France, Dalí described Thom's theory of catastrophes as "the most beautiful aesthetic theory in the world".[3] He also recollected his first and only meeting with René Thom, at which Thom purportedly told Dalí that he was studying tectonic plates; this provoked Dalí to question Thom about the railway station at Perpignan, France (near the Spanish border), which the artist had declared in the 1960s to be the center of the universe.
Thom reportedly replied, "I can assure you that Spain pivoted precisely — not in the area of — but exactly there where the Railway Station in Perpignan stands today". Dalí was immediately enraptured by Thom's statement, influencing his painting Topological Abduction of Europe — Homage to René Thom, the lower left corner of which features an equation closely linked to the "swallow's tail": an illustration of the graph, and the term queue d'aronde. The seismic fracture that transverses Topological Abduction of Europe reappears in The Swallow's Tail at the precise point where the y-axis of the swallow's tail graph intersects with the S-curve of the cusp.[2]
See also
[edit]References
[edit]- ^ Thom, René (1972). Structural stability and morphogenesis. an outline of a general theory of models, (D.H.Fowler, trans.) (Reading, Mass. London. Benjamin. 1975). Originally published in French as Stabilité structurelle et morphogénèse. Westview Press. ISBN 0201406853.
- ^ a b King, Elliott (2004). Ades, Dawn (ed.). Dali. Milan: Bompiani Arte. pp. 418–421. ISBN 0847826732.
- ^ Dalí, Salvador, 'Gala, Velásquez and the Golden Fleece' (9 May 1979). Reproduced in-part in: Descharnes, Robert (1984). Dalí, the Work, the Man. New York: Harry N. Abrams. p. 420. ISBN 0810908255. Originally published in French as Dalí, l'oeuvre et l'homme (Lausanne: Edita, 1984).
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