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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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Luo Yixiu (Chinese: 羅一秀; 20 October 1889 – 11 February 1910), a Han Chinese woman, was the first wife of the later Chinese communist revolutionary and political leader Mao Zedong, to whom she was married from 1908 until her death. Coming from the area around Shaoshan, Hunan, in south central China – the same region as Mao – her family were impoverished local landowners.
Most of what is known about their marriage comes from an account Mao gave to the American reporter Edgar Snow in 1936, which Snow included in his book Red Star Over China. According to Mao, he and Luo Yixiu were the subject of an arranged marriage organised by their respective fathers, Mao Yichang and Luo Helou. Luo was eighteen and Mao just fourteen years old at the time of their betrothal. Although Mao took part in the wedding ceremony, he later said that he was unhappy with the marriage, never consummating it and refusing to live with his wife. Socially disgraced, she lived with Mao's parents for two years until she died of dysentery, while he moved out of the village to continue his studies elsewhere, eventually becoming a founding member of the Chinese Communist Party. Various biographers have suggested that Mao's experience of this marriage affected his later views, leading him to become a critic of arranged marriage and a vocal feminist. He married three more times, to Yang Kaihui, He Zizhen and Jiang Qing, the last of whom was better known as Madame Mao. (Full article...)
The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
A cannon is a large-caliber gun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon.
The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed. In the modern era, the term cannon has fallen into decline, replaced by guns or artillery, if not a more specific term such as howitzer or mortar, except for high-caliber automatic weapons firing bigger rounds than machine guns, called autocannons. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
Brady was born an American citizen in Tientsin, China, and traveled frequently as a child, spending time in Los Angeles, California, British Columbia, and Austin, Texas. She studied in the University of California system, receiving her bachelor's and master's degrees, and her Ph.D. in 1935. She next became an English instructor at that university's College of Agriculture, and worked as an assistant professor of languages and literature at Berkeley from 1941 to 1946. The following three years were spent at the University of Pennsylvania, until, at the end of 1949, Brady moved to teach at Central Oregon Community College; her resignation due to "ill health" was announced a few months later. After being named the 1952–53 Marion Talbot Fellow of the American Association of University Women and writing two articles, Brady's scholarship ceased for a quarter of a century. In 1979, and posthumously in 1983, her final two articles were published. (Full article...)
Sino-Roman relations comprised the (primarily indirect) contacts and flows of trade goods, information, and occasional travelers between the Roman Empire and the Han dynasty, as well as between the later Eastern Roman Empire and various successive Chinese dynasties that followed. These empires inched progressively closer to each other in the course of the Roman expansion into ancient Western Asia and of the simultaneous Han military incursionsinto Central Asia. Mutual awareness remained low, and firm knowledge about each other was limited. Surviving records document only a few attempts at direct contact. Intermediate empires such as the Parthians and Kushans, seeking to maintain control over the lucrative silk trade, inhibited direct contact between the two ancient Eurasian powers. In 97 AD, the Chinese general Ban Chao tried to send his envoy Gan Ying to Rome, but Parthians dissuaded Gan from venturing beyond the Persian Gulf. Ancient Chinese historians recorded several alleged Roman emissaries to China. The first one on record, supposedly either from the Roman emperor Antoninus Pius or from his adopted son Marcus Aurelius, arrived in 166 AD. Others are recorded as arriving in 226 and 284 AD, followed by a long hiatus until the first recorded Byzantine embassy in 643 AD.
The indirect exchange of goods on land along the Silk Road and sea routes involved (for example) Chinese silk, Roman glassware and high-quality cloth. Roman coins minted from the 1st century AD onwards have been found in China, as well as a coin of Maximian (Roman emperor from 286 to 305 AD) and medallions from the reigns of Antoninus Pius (r. 138–161 AD) and Marcus Aurelius (r. 161–180 AD) in Jiaozhi (in present-day Vietnam), the same region at which Chinese sources claim the Romans first landed. Roman glassware and silverware have been discovered at Chinese archaeological sites dated to the Han period (202 BC to 220 AD). Roman coins and glass beads have also been found in the Japanese archipelago. (Full article...)
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Phallus indusiatus, commonly called the basket stinkhorn, bamboo mushrooms, bamboo pith, long net stinkhorn, crinoline stinkhorn, bridal veil, or veiled lady, is a fungus in the family Phallaceae, or stinkhorns. It has a cosmopolitan distribution in tropical areas, and is found in southern Asia, Africa, the Americas, and Australia, where it grows in woodlands and gardens in rich soil and well-rotted woody material. The fruit body of the fungus is characterised by a conical to bell-shaped cap on a stalk and a delicate lacy "skirt", or indusium, that hangs from beneath the cap and reaches nearly to the ground. First described scientifically in 1798 by French botanist Étienne Pierre Ventenat, the species has often been referred to a separate genus Dictyophora along with other Phallus species featuring an indusium. P. indusiatus can be distinguished from other similar species by differences in distribution, size, color, and indusium length.
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
... that the New York City-based fashion label Sandy Liang is inspired by grandmothers in Chinatown, and often features Liang's own grandmother as a model?
... that between 2006 and 2007, Stacy Hollowell worked for basketball teams in Qatar, China, Bahrain and Lithuania?
... that American horticulturalist Joseph Lancaster Budd traveled to England, France, Austria, Russia, and China in 1882 to discover fruit trees that could grow in Iowa?
... that G Affairs was presented at project markets in South Korea, Taiwan, and Hong Kong, but rejected because it was deemed unmarketable in China?
Fujian cuisine or Fujianese cuisine, also known as Min cuisine or Hokkien cuisine, is one of the native Chinese cuisines derived from the cooking style of China's Fujian Province, most notably from the provincial capital, Fuzhou. "Fujian cuisine" in this article refers to the cuisines of Min Chinese speaking people within Fujian. Other cuisines in Fujian include Hakka cuisine, and the ethnic minority cuisines of the She and Tanka people. Fujian cuisine is known to be light but flavourful, soft, and tender, with particular emphasis on umami taste, known in Chinese cooking as xianwei (鲜味; 鮮味; xiān wèi; sian bī), as well as retaining the original flavour of the main ingredients instead of masking them.
Many diverse seafood and woodland delicacies are used, including a myriad variety of local fish, shellfish and turtles, or indigenous edible mushrooms and bamboo shoots, provided by the coastal and mountainous regions of Fujian. The most commonly employed cooking techniques in the region's cuisine include braising, stewing, steaming and boiling. (Full article...)
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Yangwu(pictured left) with the Chinese gunboat Fuxing at anchor, the night before the Battle of Fuzhou.
Yangwu (Chinese: 揚武; pinyin: Yangwu; Wade–Giles: Yang-wu or Yang Woo) was a wooden corvette built for the Imperial Chinese Navy. She was built in 1872 at the Foochow Arsenal, and was the largest ship built there from the shipbuilding programme of 1868–75. During her early career, she was used as a training ship and under the command of English captains. She later saw action in the Battle of Fuzhou in 1884, the opening action of the Sino-French War, where she acted as the flagship of the Fujian Fleet. Shortly after the start of the battle, she was damaged by a spar torpedo, causing a large explosion and the loss of the majority of her crew; she was sunk shortly afterwards by enemy fire. (Full article...)
Suoyang City (Chinese: 锁阳城; pinyin: Suǒyáng Chéng), also called Kuyu (苦峪), is a ruined Silk Road city in Guazhou County of Gansu Province in northwestern China. First established as Ming'an County in 111 BC by Emperor Wu of Han, the city was relocated and rebuilt at the current site in 295 AD by Emperor Hui of the Western Jin dynasty. As the capital of Jinchang Commandery (later Guazhou Prefecture), the city prospered during the Tang and Western Xia dynasties. It was an important administrative, economic, and cultural center of the Hexi Corridor for over a millennium, with an estimated peak population of 50,000. It was destroyed and abandoned in the 16th century, after the Ming dynasty came under attack by Mansur Khan of Moghulistan.
The city ruins comprise the inner city, the outer city, and several yangmacheng (fortified animal enclosures used as fortresses in wartime). Outside the city walls, the broader archaeological park includes the original site of Ming'an County, more than 2,000 tombs, and the remains of an extensive irrigation system with over 90 kilometres (56 mi) of canals. The archaeological park also encompasses a number of Buddhist sites, including the Ta'er Temple, the Eastern Thousand Buddha Caves, Jianquanzi Caves (碱泉子石窟), and Hanxia Caves (旱峡石窟). (Full article...)
Silk cultivation had reached Japan by 300 AD, and by 552 AD the Byzantine Empire managed to obtain silkworm eggs and were able to begin silkworm cultivation while the Arabs also started to manufacture silk at around the same time. As a result of the spread of sericulture, Chinese silk exports became less important, although they still maintained dominance over the luxury silk market. The Crusades brought silk production to Western Europe, in particular to many Italian states, which saw an economic boom exporting silk to the rest of Europe. Developments in the manufacturing technique also started to take place during the Middle Ages (5th to 15th centuries) in Europe, with devices such as the spinning wheel first appearing at this time. During the 16th century, France joined Italy in developing a successful silk trade, although the efforts of most other nations to develop a silk industry of their own were unsuccessful. (Full article...)
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Girl Playing a Jade Flute by Xue Susu, self-portrait
Xue Susu (Chinese: 薛素素; also known as Xue Wu(薛五), Xuesu(薛素), Sujun among other pen names) (c.1564–1650? C.E.) was a Chinese courtesan in Ming Dynasty. She was an accomplished painter and poet, and was noted for her skill at mounted archery. She was particularly noted for her figure paintings, which included many Buddhist subjects. Her works are held in a number of museums both in China and elsewhere. Her archery was commented upon by a number of contemporary writers, as were her masculine, martial tendencies; these were regarded as an attractive feature by the literati of the period.
She lived in Eastern China, residing for most of her life in the Zhejiang and Jiangsu districts. After a career as a celebrated courtesan in Nanjing, Xue Susu was married about four times. During her later life, she eventually opted for the life of a Buddhist recluse. (Full article...)
The immediate UN objective was Triangle Hill (), a forested ridge of high ground 2 kilometers (1.2 mi) north of Gimhwa-eup. The hill was occupied by the veterans of the PVA's 15th Corps. Over the course of nearly a month, substantial US and Republic of Korea Army (ROK) forces made repeated attempts to capture Triangle Hill and the adjacent Sniper Ridge. Despite clear superiority in artillery and aircraft, the escalating UN casualties resulted in the attack being halted after 42 days of fighting, with PVA forces regaining their original positions. (Full article...)
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Undated photo of Shi Jianqiao as a young woman
Shi Jianqiao (Chinese: 施劍翹, 1905 or 1906 – 27 August 1979) was the daughter of the Chinese military officer Shi Congbin, whose killing she avenged by assassinating the former warlord Sun Chuanfang. The revenge killing and the legal proceedings that followed were highly publicized at the time and incited public debates over the concepts of filial piety and the rule of law. (Full article...)
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The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the middle of the 1931 Japanese invasion, where Tintin reveals the machinations of Japanese spies and uncovers a drug-smuggling ring.
In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led to the Chinese political leader Chiang Kai-shek inviting Hergé to visit China itself. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works. (Full article...)
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A Northern Song coin (sheng song yuan bao聖宋元寶) The economy of the Song dynasty (960–1279) has been characterized as the most prosperous in the world at the time. The dynasty moved away from the top-down command economy of the Tang dynasty (618–907) and made extensive use of market mechanisms as national income grew to be around three times that of 12th century Europe. The dynasty was beset by invasions and border pressure, lost control of North China in 1127, and fell in 1279. Yet the period saw the growth of cities, regional specialization, and a national market. There was sustained growth in population and per capita income, structural change in the economy, and increased technological innovation such as movable print, improved seeds for rice and other commercial crops, gunpowder, water-powered mechanical clocks, the use of coal as an industrial fuel, improved iron and steel production, and more efficient canal locks. China had a steel production of around 100,000 tons plus urban cities with millions of people at the time.
Commerce in global markets increased significantly. Merchants invested in trading vessels and trade which reached ports as far away as East Africa. This period also witnessed the development of the world's first banknote, or printed paper money (see Jiaozi, Guanzi, Huizi), which circulated on a massive scale. A unified tax system and efficient trade routes by road and canal meant the development of a nationwide market. Regional specialization promoted economic efficiency and increased productivity. Although much of the central government's treasury went to the military, taxes imposed on the rising commercial base refilled the coffers and further encouraged the monetary economy. Reformers and conservatives debated the role of government in the economy. The emperor and his government still took responsibility for the economy, but generally made fewer claims than in earlier dynasties. The government did, however, continue to enforce monopolies on certain manufactured items and market goods to boost revenues and secure resources that were vital to the empire's security, such as tea, salt, and chemical components for gunpowder. (Full article...)
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Titular inscription at the entrance to the "Yeren Cave" in Shennongjia
The yeren (Chinese: 野人, 'wild man') is a cryptid apeman reported to inhabit remote, mountainous regions of China, most famously in the Shennongjia Forestry District in the Hubei Province. Sightings of "hairy men" have remained constant since the Warring States Period circa 340 BC through the Tang dynasty (618–907 AD), before solidifying into the modern legend of the yeren. Generally, they are described as savage, strong, and fast-moving, living in mountain caves and descending only to raid villages in search of food or women.
Scientific interest in such apemen erupted in the 1950s and 1960s in conjunction with pseudoscientific discoveries relating to Bigfoot and the yeti, but pressure by the Maoist government to leave behind these kinds of legends and folk stories repressed further interest in the yeren until its dissolution in 1976. Afterwards, large expeditions were launched by the Chinese Academy of Sciences to investigate alleged eyewitness accounts, footprints, hairs, and bodies as "yeren fever" took hold, with scientists working with an unprecedented reliance on citizen science. The yeren was often speculated to be a far removed human relative, such as Gigantopithecus or Paranthropus robustus. All forwarded evidence of the creature originated from known animals — namely bears, monkeys, and gibbons — and scientific interest waned by the late 1980s. Nonetheless, organized yeren research still persists, though no serious scientific institutions recognize such apemen. (Full article...)
Hu Lanqi in 1937, when she was awarded the rank of Major General
Hu Lanqi (Chinese: 胡兰畦; pinyin: Hú Lánqí; Wade–Giles: Hu Lan-ch'i; 1901 – 13 December 1994), also spelled Hu Lanxi, was a Chinese writer and military leader. She joined the National Revolutionary Army in 1927 and the Chinese branch of the Communist Party of Germany in 1930. She was imprisoned by Nazi Germany in 1933 and wrote an influential memoir of her experience, for which she was invited by Maxim Gorky to meet him in Moscow. After the outbreak of the Second Sino-Japanese War in 1937, she organized a team of women soldiers to resist the Japanese invasion, and became the first woman to be awarded the rank of Major General by the Republic of China. She supported the Communists during the Chinese Civil War, but was persecuted in Mao Zedong's political campaigns following the Communist victory in mainland China. She survived the Cultural Revolution to see her political rehabilitation, and published a detailed memoir of her life in the 1980s.
Based on her early life, the writer Mao Dun wrote the novel Rainbow (1929), whose heroine, Mei, would become more famous than Hu herself. (Full article...)
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Maryang-san (right), Korea
The First Battle of Maryang-san (3–8 October 1951), also known as the Defensive Battle of Maliangshan (Chinese: 馬良山防衛戰; pinyin: Mǎliáng Shān Fángyù Zhàn), was fought during the Korean War between United Nations Command (UN) forces—primarily Australian, British and Canadian—and the Chinese People's Volunteer Army (PVA). The fighting occurred during a limited UN offensive by US I Corps, codenamed Operation Commando. This offensive ultimately pushed the PVA back from the Imjin River to the Jamestown Line and destroyed elements of four PVA armies following heavy fighting. The much smaller battle at Maryang-san took place over a five-day period, and saw the 1st Commonwealth Division dislodge a numerically superior PVA force from the tactically important Kowang-san (Hill 355), Hill 187, and Maryang-san (Hill 317, a.k.a. Hill 315) features.
Using tactics first developed against the Japanese in New Guinea during the Second World War, the Australians gained the advantage of the high ground and assaulted the PVA positions from unexpected directions. They then repelled repeated PVA counterattacks aimed at re-capturing Maryang San and Kowang-san (the latter on 12 October), with both sides suffering heavy casualties before the Australians were finally relieved by a British battalion. However, with the peace-talks ongoing, these operations proved to be the last actions in the war of manoeuvre, which had lasted the previous sixteen months. It was replaced by a static war characterised by fixed defences reminiscent of the Western Front in 1915–17. A month later, the PVA re-captured Maryang San during fierce fighting, and it was never re-gained. Today, the battle is widely regarded as one of the Australian Army's greatest accomplishments during the war. (Full article...)
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The military of the Tang dynasty was staffed with a large population of Turkic soldiers, referred to as Tujue (突厥) in Chinese sources. Tang elites in northern China were familiar with Turkic culture, a factor that contributed to the empire's acceptance of Turkic recruits. The Emperor Taizong of Tang adopted the title of "Heavenly Khagan" and promoted a cosmopolitan empire. Turkic soldiers that served under the Tang dynasty originated from the Eastern Turkic Khaganate. It began with Taizong who sent his general Li Jing, eventually ended in defeating the Eastern Turks and capturing their leader Jiali Khan.
Taizong regularly recruited and promoted military officers of Turkic ancestry, whose steppe experience contributed to the western and northern expansion of the Tang empire. The Turkic general Ashina She'er participated in the Tang capture of the Karakhoja, Karasahr, and Kucha kingdoms in Xinjiang. The half-Turkic general An Lushan started a revolt that led to the decline of the Tang dynasty. (Full article...)
Sun Yang (Chinese: 孙杨; Mandarin pronunciation:[swə́n.jǎŋ]; born 1 December 1991) is a Chinese Olympic and former world-record-holding competitive swimmer. In 2012, Sun became the first Chinese athlete to win an Olympic gold medal in men's swimming. Sun is the first male swimmer in history to earn Olympic and World Championship gold medals at every freestyle distance from 200 to 1500 metres. A three-time Olympic gold medalist and eleven-time world champion, he is the most decorated Chinese swimmer in history. In 2017, NBC Sports described him as "very arguably the greatest freestyle swimmer of all time".
In September 2018, Sun was involved in a controversial incident during an out-of-competition doping test at his home. The doping control assistant (DCA) lacked proper accreditation and took photos of Sun without his permission, leading him to refuse the blood sample collection. A security guard broke open the container to prevent the testers from taking the vials. The DCA later admitted to unprofessional conduct. FINA ruled that Sun did not violate anti-doping rules due to the DCA's actions. However, on 28 February 2020, the Court of Arbitration for Sport (CAS) overturned FINA's decision, banning Sun for eight years for tampering with the doping control process. Some analysts opined that the trial was marred by severe translation problems, conflict of interest, bias and an "absence of evidence" around doping activity. Despite this, CAS found no evidence of doping, so Sun retained his medals. On 22 June 2021, after a retrial, the CAS upheld the ban but reduced it to four years and three months. (Full article...)
Image 3Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 9Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 37Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 58Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 59The flag of the People's Republic of China since 1949. (from History of China)
Image 60Main hall and tea house in Dunedin Chinese Garden (from Chinese culture)
Image 61Official map of the Qing Empire published in 1905 (from History of China)
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National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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